Tag: 宁波龙凤

first_imgWith summer just around the corner, the local community turned out in gracious number for the unveiling of Church Hill’s new community park.Years of work, fundraising and collaborations was celebrated on Friday when the local development group held a grand opening of the park at 3.30pm.Minister for Education & Skills Joe McHugh and Cathaoirleach of Donegal County Council Cllr. Seamus O’Domhnaill were in attendance at the event, which was a proud moment for all who worked on the space. With a premium playground and stunning views, the park is the pride of the community and will be somewhere for local children to enjoy this summer and for generations to visit in the years to come.Check out some of Clive Wasson’s moments of the day below…Patsy McGonigle, Chairman DLDC speaking at the opening of the new community Play Park at Churchill on Friday last. Photo Clive WassonLocals pack the function at the opening of the new community Play Park at Churchill on Friday last. Photo Clive WassonThe outdoor gym in use at the opening of the new community Play Park at Churchill on Friday last. Photo Clive WassonPlayground in full swing at the opening of the new community Play Park at Churchill on Friday last. Photo Clive WassonJoe McHugh TD is Minister for Education and Skills swings the gates open at the opening of the new community Play Park at Churchill on Friday last. Photo Clive WassonGuests and speakers at the opening of the new community Play Park at Churchill on Friday last. Photo Clive WassonTara McDermott, Jade McDermott and Orla McDermott playing for the guests at the opening of the new community Play Park at Churchill on Friday last. Photo Clive WassonMaria Doherty, Bernie Moran and Eimear Friel at the opening of the new community Play Park at Churchill on Friday last. Photo Clive WassonGuests at the opening of the new community Play Park at Churchill on Friday last. Photo Clive WassonLocals filling the newly opened community Play Park at Churchill on Friday last. Photo Clive WassonIlluan McDermott waiting patiently at the opening of the new community Play Park at Churchill on Friday last. Photo Clive WassonJoe McHugh TD is Minister for Education and Skills with children from 4 local schools Gartan, Glenswilly, Trenta and Stramore at the opening of the new community Play Park at Churchill on Friday last. Photo Clive WassonDermott, Cormack, Mary, Eamon, Sophie and Declan Moy at the opening of the new community Play Park at Churchill on Friday last. Photo Clive WassonLocal Chairman Victor Wilkie speaking at the opening of the new community Play Park at Churchill on Friday last. Photo Clive WassonEnjoying the view and the toys at the opening of the new community Play Park at Churchill on Friday last. Photo Clive WassonJoe McHugh TD is Minister for Education and Skills at the opening of the new community Play Park at Churchill on Friday last. Photo Clive WassonChildren enjoying the swing at the opening of the new community Play Park at Churchill on Friday last. Photo Clive WassonDaragh and Aine McGrenragh at the opening of the new community Play Park at Churchill on Friday last. Photo Clive WassonJoe McHugh TD is Minister for Education and Skills with local children at the opening of the new community Play Park at Churchill on Friday last. Photo Clive WassonJoe McHugh TD is Minister for Education and Skills with children from 4 local schools Gartan, Glenswilly, Trenta and Stramore at the opening of the new community Play Park at Churchill on Friday last. Photo Clive WassonCllr. Ciaran Brogan Photo Clive WassonJoe McHugh TD is Minister for Education and Skills swings the gates open at the opening of the new community Play Park at Churchill on Friday last. Photo Clive Wasson Delight as Church Hill Community Park officially opens – Pic Special was last modified: March 30th, 2019 by Shaun KeenanShare this:Click to share on Facebook (Opens in new window)Click to share on Twitter (Opens in new window)Click to share on LinkedIn (Opens in new window)Click to share on Reddit (Opens in new window)Click to share on Pocket (Opens in new window)Click to share on Telegram (Opens in new window)Click to share on WhatsApp (Opens in new window)Click to share on Skype (Opens in new window)Click to print (Opens in new window) Tags:Church Hilllast_img read more

first_img Follow West London Sport on TwitterFind us on Facebook Embed from Getty ImagesSteven Caulker starts for QPR at Oakwell, where recent signing Bright Osayi-Samuel makes his full debut.Caulker replaces Darnell Furlong and Osayi-Samuel comes in for Conor Washington, who is among the substitutes.Washington is joined on the bench by fellow striker Matt Smith, who has overcome a knock, but Idrissa Sylla, who has also been nursing an injury, misses out.Massimo Luongo is back in the side, replacing Yeni Ngbakoto, after recovering from illness.Kazenga LuaLua, who was dropped against Burton for failing to report for training on time, is a substitute.For Barnsley, Brad Potts has been passed fit after an ankle problem. On-loan Chelsea striker Ike Ugbo also starts for the hosts.Barnsley: Davies, McCarthy, Jackson, Lindsay, Fryers, Williams, Moncur, Potts, Hammill, Barnes, Ugbo.Subs: Townsend, Pearson, Hedges, Bradshaw, MacDonald, McGeehan, Thiam.QPR: Smithies; Caulker, Baptiste, Robinson; Wszolek, Scowen, Luongo, Freeman, Bidwell; Mackie, Osayi-Samuel.Subs: Lumley, Lynch, Manning, Smith, LuaLua, Wheeler, Washington.last_img read more

first_img29 June 2009 The 2009 Fifa Confederations Cup drew to a close at Ellis Park Stadium in Johannesburg on Sunday night in a ceremony filled with music, colour, light and dance. But the passion reflected in the photos of fans, beamed onto a giant sphere floating above the pitch, was not staged. The photographs, of the fans that filled South Africa’s four host stadiums during Fifa’s “Festival of Continental Champions”, reflected a nation that came together in a tournament that has given the country many reasons to smile. As Nelson Mandela watched his great-granddaughter Zenani bringing the Fifa Confederations Cup trophy out onto the pitch following a thrilling final between Brazil and the USA, no doubt he was smiling too. For over the past two weeks South Africa has shown the world, once again, what it is capable of. It has also shown that the opportunity South Africa has been given to host the 2010 Fifa World Cup is about more than stadiums, pitches, roads and airports. It’s about people, and working together for a common goal. It is about reasons to smile and cry and make some very loud noise. It is about the joy that comes from being part of 14 days of thrilling football. “I have loved this tournament,” said 12-year-old Zenani, granddaughter of Nelson Mandela’s youngest daughter, Zindzi. “It has been so much fun – and Bafana Bafana have been playing, like, wow!” As the stadium went dark on Sunday night, and the vuvuzelas went quiet, the melodic sounds of Africa filled the air. The voices of 150 choir members and the beats of 150 drummers bid the fans and the watching world goodbye. But for the country, and the continent, this was just the beginning. In less than a year’s time, South Africa and Africa will welcome 32 teams, hundreds of thousands of fans and millions of television viewers back for the big one, the 2010 Fifa World Cup – and the drama, and the celebrations, will begin in earnest!Source: 2010 Fifa World Cup South Africa Organising Committeelast_img read more

first_imgNBA Africa Game 2018 Competition Terms and ConditionsThis promotion is open to all South African residents aged 18 years and older.This online promotion runs from 1 August 2018 – 2 August 2018.Competition entry mechanics:Entrants must answer a question correctly, as posted on the Brand South Africa social media platforms (Facebook, Twitter and Instagram).   Five correct answers will be drawn. Five winners, based in Joburg, will be selected by and notified by a Brand South Africa representative.  The winners will be notified via email or telephone. Winners will be prompted to send their details to Brand South Africa via email or telephone In the event that the winners do not respond within 48 hours of notification, or cannot take the prize, new winners will be drawn and substituted as the winners.  Prizes – 5 x double tickets to the NBA Africa Game at the Sun Arena Square, Pretoria on the 4th August 2018.  The prizes are not transferable and are not exchangeable for kind.  Exclusions: Transportation, refreshments and accommodation.  Winners must arrange their transportation and accommodation. Brand South Africa reserves the right to verify the validity of all entries.  To claim the contest prizes, the winners must produce their valid South African identity book and/or passport. General Terms and Conditions:By entering this online promotion, all competitors agree to be bound by the rules, regulations and requirements set out in the promotional material. This promotion is subject to South African law, and is not offered outside South Africa. All entries must be completed online by 10h00, 02 August 2018 (South African time) to qualify. Brand South Africa reserves the right to disqualify incomplete online entries. No responsibility will be accepted for online entries lost for any reason whatsoever, whether due to inaccessibility of the site via internet, network disruption, network congestion, malicious virus attack, unauthorised data hacking, data corruption and server hardware failure or otherwise. Proof of sending will not be accepted as proof of delivery. Nothing on email, or on any other website of Brand South Africa, or entrant’s use of the services or related hereto, shall be construed as conferring any license or other rights under the intellectual property or other proprietary rights of Brand South Africa or its subsidiaries or affiliates or any third party, whether by estoppels, implication or otherwise. Brand South Africa and/or its agent shall be licensed to evaluate all contest-related submissions for the purposes of the contest, including verification and judging and as specified in these terms and conditions. The software and programming code and media relating to the web site or Instagram page and contest-related communication is protected by the applicable laws of copyright, trademark, patent, competition and other proprietary laws. Brand South Africa’s decisions shall be final in all matters relating to the draw and no correspondence will be entered into. Brand South Africa reserves the right to change the terms and conditions without prior notice. An entrant shall be deemed to have notice of any such amendments or interpretations upon publication of the same on the website page and shall be deemed to have accepted such amendments or interpretations by virtue of his/her continued participation in the promotion. Should an entrant not wish to continue to participate in the promotion pursuant to the prevailing terms and conditions as amended or interpreted, he/she may terminate participation in the promotion upon written notice to Brand South Africa. Brand South Africa reserves the right to modify the competition or disqualify any entrant/contestant if fraud, misconduct or technical failures destroy the integrity of the competition as determined by Brand South Africa, in its sole discretion. Brand South Africa reserves the right at their sole discretion to cancel, terminate or suspend the promotion and select winners from among all eligible entries received prior to the cancellation. Brand South Africa may in its absolute discretion extend any time limit or waive any of the terms and conditions where a person might otherwise be disqualified. Brand South Africa may in its absolute discretion substitute the prize with one deemed to be an appropriate replacement value in the place of the prize. The promoter is Brand South Africa. 103 Central Street, Houghton, Gauteng, South Africa, 2041  Definition of NBA Entities: NBA Properties, Inc., the National Basketball Association (the “NBA”), and the NBA member teams (collectively, the “NBA Entities”). Exclusion of Employees of the NBA Entities from Eligibility:  Employees of the NBA Entities, including affiliates, agents and immediate family members and/or those living in the same household of such employees, are not eligible to enter or win the promotion.  Limitation of Liability:  The NBA Entities and each of their respective parent companies, subsidiaries, affiliates, officers, directors, employees, governors, owners, distributors, retailers, agents, assignees, advertising/promotion agencies, representatives, and agents shall have no liability and will be released and held harmless from any claim, action, liability, loss, injury or damage, including, without limitation, personal injury or death to winner or any third party or damage to personal or real property due in whole or in part, directly or indirectly, by any reason, including the acceptance, possession, use or misuse of the prize and/or participation in this promotion. Right of Publicity Release:  Participants in this promotion (if minor, his/her parent or legal guardian) agree to be bound by these Official Rules and agree that the NBA Entities and their designees and assigns may use the participant’s name, voice, city/state of residence, photos, video or film clips, and/or other visual likeness for advertising and/or trade purposes and/or for any other purpose in any media or format now or hereafter known without further compensation (financial or otherwise), permission or notification.last_img read more

first_imgAfter Effects is a powerful program that can be fantastic as an online and finishing tool with a only few changes in your preparation and workflow.A few months ago, Oliver Peters did a fantastic post about the benefits of using After Effects as a finishing tool. He covered a lot of the benefits – significantly more powerful typography and design tools, larger library of effects, powerful nesting/precomping, and even glossed over others, like better keyframe control, 3D object abilities, easy motion blur, time remapping and frame interpolation – you get the idea.What he doesn’t cover is the specifics of an After Effects finishing workflow…but you’re in luck! I’ve been using this workflow for several years.I initially started doing it because I was creating videos for a specific non-standard aspect ratio being projected by a set of image blended projectors. All of my videos had to be cropped to 2048×768, and at the time I was editing in FCP7, so all of my videos had to be formatted for this aspect ratio in After Effects. I loved the power and flexibility of the workflow so much that I kept on doing it after we moved back to a standard 1920×1080. It became even easier when I moved to Premiere Pro as my primary NLE.There are a few things I’ve learned along the way with prepping a timeline in Premiere (or whatever NLE you use) for finishing in After Effects, and they might be good things to consider if you decide to try out this workflow. All of the following suggestions are built around using Premiere’s Dynamic Link to send to After Effects, but most of them still apply if you’re using an XML and After Effects’ built in “Pro Import” command.1. Use Placeholders for TextBelieve it or not, After Effects can’t actually read the actual content of titles from Premiere. It doesn’t just ignore font and formatting like Automatic Duck used to when coming from FCP; After Effects completely replaces the text with a black solid. No actual title data is carried over. What are carried over are effects, keyframes, changes to the motion parameters, and timings (in and out points). After Effects also carries over the name of the text layer. This is the best workaround for text content: Name your title in Premiere with the full content of the text you want at that spot and After Effects will make that the name of the black solid. Then you can just copy and paste the name to a new text layer, and use the black solid for timing the in and out points. Here’s a timeline that had a ton of overlay and full screen graphics. Every pink layer is a separate graphic (click image for larger view).In my workflow, I don’t even bother with the content of the title tool. With my first text layer, I make the title show the word “placeholder”, name the title layer what the content should be, and place it. This is what every layer in the above timeline said:Then, all I have to do for the next title is duplicate the first one (for speed, I’ve mapped this to the shortcut CMD+D in Premiere to match After Effects). When you duplicate a layer in Premiere it automatically selects the layer and puts you into rename mode. Just paste or type whatever the content of the new layer should be, drag or insert/overwrite it into your timeline, adjust the timing and transition needed and there you go. No more messing with Premiere’s clunky title tool: Instead you can use After Effect’s significantly more powerful typography tools!2. Keep Tracks to a Minimum and Stay Vertically Organized in PremiereWhen you send from Premiere, After Effects lines up your clips by tracks. The tracks stay in the correct order (top to bottom, not numerically), and each track staggers/stair-steps down before starting the next track. This is important to take note of because editors tend to group things together vertically, like B-roll on upper tracks or titles above the shot it should go over. When you make the move to After Effects, even though the layer order is technically correct, since After Effects doesn’t have tracks they won’t be grouped so closely together. You may have to manually re-order the layers to suit the groupings you prefer (I always do this because it helps me keep my comp organized in the long run). Keeping tracks to a minimum (similar to collapsing or using a minimum number of tracks before sending to a color grading application) keeps these groupings easier to find and makes for a more organized comp.Designating specific tracks for specific items helps with the move and organization in After Effects. I generally use V1 for my storyline (interviews, primary narrative, etc.), V2 for all of my b-roll, V3 for all of my titles/graphics (unless I need to stack them for one reason or another), and V4 for any overlays (film flashes and light leaks, film grain, alpha matte transitions, etc.). This is all subject to change depending on the needs of my edit, but it’s a good template to stick to for me. When I move to After Effects, all of these things stay grouped together vertically.3. Use Dynamic Link, But Don’t Trust ItDynamic Link is a fantastic way to get from Premiere to After Effects. Unfortunately, it can cause problems if used too frequently, if it’s been too long since the project was open, if some source files move, if you sneeze too hard – you get the idea. I’ve heard of and seen Premiere project files and sequences get corrupted or glitched. In small uses it works, but frequent large uses can be risky.Another issue specific to the After Effects offline workflow is changes. When you use Dynamic Link, your timeline in Premiere is replaced with a linked comp. What if you need to make some editing changes? You could do them in After Effects (maybe), but it would be a total pain.My suggestion? Do one of two things:Duplicate your timeline before you send to After Effects so that you have an un-replaced version you can use for any necessary changes, which has the added bonus of leaving the linked comp in Premiere.You can send to After Effects and after it’s all done transferring you go back to Premiere and “undo” the send to AE. The linked comp is deleted, which prevents project corruption, but After Effects keeps the timeline you sent. All you do is output from AE instead of rendering in Premiere. This is my preferred option.4. Export an Audio MixdownAfter Effects is obviously not focused on audio, so working with sound in AE can be frustrating.. So, instead of sending a bunch of audio layers to After Effects (and we all know the crazy amount of audio tracks you can end up with), do your audio mixing in Premiere or a dedicated audio program, then export a WAV file mixdown and bring that into After Effects. That way you’ve only got one audio track that’s already been mastered to deal with in After Effects. You’ll also have all of the pieces you need to do your final export from After Effects, which is the point of the workflow to begin with!I hope these tips help save you some headache as you move to After Effects for all of your finishing needs!last_img read more