Tag: 苏州水磨90分钟不限次

first_img19 April 2016The world’s most famous gold coin, the Krugerrand, is commemorating Queen Elizabeth’s 90th birthday with a special limited edition.This is also the first time the South African Mint is celebrating a royal birthday.To mark the 90th Birthday of H.M Queen Elizabeth II, The South African Mint have issued a special and very limited Gold Krugerrand coin— Lord of Milton Manor (@regalmagazine) January 10, 2016“With an extremely low mintage of only 260 coins worldwide, this special edition. Krugerrand features a unique ‘QEII 90’ Mint Mark that will only appear on this special issue of gold Krugerrands,” noted the London Mint office.“This means that this coin will become a ‘one year only’ type, never to be released again.”It features:Obverse: bust of Paul Kruger by Otto SchultzReverse: springbok antelope by Coert Steynberg, also highlighting the unique “QEII 90th” Mint MarkAbout the KrugerrandThe South African Mint says the Kruggerrand evokes nostalgia because it has a classic design which “kindles memories of a bygone era and symbolises the romance and allure of gold”.Launched in 1967, it contains one troy ounce of pure gold. By the 1980s, fractional Krugerrands were made available – the 1/2oz, 1/4oz and 1/10oz.The design dates back to 1892 when the country’s first coin series was circulated. It features a bust of the then president of the South African Republic, Paul Kruger, created by die-engraver Schultz. “The reverse design of the prancing springbok, South Africa’s national animal, was modelled by Coert Steynberg,” reads the South African Mint website.” It was originally created for the commemorative 5-shilling coin issued in 1947 to celebrate the visit of the British Royal Family to South Africa.”The name Krugerrand comes from Kruger and South Africa’s monetary unit, the rand – associated with the Witwatersrand, “the ridge of white water”, the area where gold was discovered in 1886.Queen Elizabeth celebrates her 90th birthday on 21 April. The limited edition 1oz Krugerrand is selling at R59 000 at South Africa’s Scoin Shop. 90 photos for 90 years ahead of The Queen’s birthday on Thursday #Queenat90https://t.co/MqJGDqfDPb— BritishMonarchy (@BritishMonarchy) April 18, 2016Source: South Africa.info reporterlast_img read more

first_imgAfter Effects is a powerful program that can be fantastic as an online and finishing tool with a only few changes in your preparation and workflow.A few months ago, Oliver Peters did a fantastic post about the benefits of using After Effects as a finishing tool. He covered a lot of the benefits – significantly more powerful typography and design tools, larger library of effects, powerful nesting/precomping, and even glossed over others, like better keyframe control, 3D object abilities, easy motion blur, time remapping and frame interpolation – you get the idea.What he doesn’t cover is the specifics of an After Effects finishing workflow…but you’re in luck! I’ve been using this workflow for several years.I initially started doing it because I was creating videos for a specific non-standard aspect ratio being projected by a set of image blended projectors. All of my videos had to be cropped to 2048×768, and at the time I was editing in FCP7, so all of my videos had to be formatted for this aspect ratio in After Effects. I loved the power and flexibility of the workflow so much that I kept on doing it after we moved back to a standard 1920×1080. It became even easier when I moved to Premiere Pro as my primary NLE.There are a few things I’ve learned along the way with prepping a timeline in Premiere (or whatever NLE you use) for finishing in After Effects, and they might be good things to consider if you decide to try out this workflow. All of the following suggestions are built around using Premiere’s Dynamic Link to send to After Effects, but most of them still apply if you’re using an XML and After Effects’ built in “Pro Import” command.1. Use Placeholders for TextBelieve it or not, After Effects can’t actually read the actual content of titles from Premiere. It doesn’t just ignore font and formatting like Automatic Duck used to when coming from FCP; After Effects completely replaces the text with a black solid. No actual title data is carried over. What are carried over are effects, keyframes, changes to the motion parameters, and timings (in and out points). After Effects also carries over the name of the text layer. This is the best workaround for text content: Name your title in Premiere with the full content of the text you want at that spot and After Effects will make that the name of the black solid. Then you can just copy and paste the name to a new text layer, and use the black solid for timing the in and out points. Here’s a timeline that had a ton of overlay and full screen graphics. Every pink layer is a separate graphic (click image for larger view).In my workflow, I don’t even bother with the content of the title tool. With my first text layer, I make the title show the word “placeholder”, name the title layer what the content should be, and place it. This is what every layer in the above timeline said:Then, all I have to do for the next title is duplicate the first one (for speed, I’ve mapped this to the shortcut CMD+D in Premiere to match After Effects). When you duplicate a layer in Premiere it automatically selects the layer and puts you into rename mode. Just paste or type whatever the content of the new layer should be, drag or insert/overwrite it into your timeline, adjust the timing and transition needed and there you go. No more messing with Premiere’s clunky title tool: Instead you can use After Effect’s significantly more powerful typography tools!2. Keep Tracks to a Minimum and Stay Vertically Organized in PremiereWhen you send from Premiere, After Effects lines up your clips by tracks. The tracks stay in the correct order (top to bottom, not numerically), and each track staggers/stair-steps down before starting the next track. This is important to take note of because editors tend to group things together vertically, like B-roll on upper tracks or titles above the shot it should go over. When you make the move to After Effects, even though the layer order is technically correct, since After Effects doesn’t have tracks they won’t be grouped so closely together. You may have to manually re-order the layers to suit the groupings you prefer (I always do this because it helps me keep my comp organized in the long run). Keeping tracks to a minimum (similar to collapsing or using a minimum number of tracks before sending to a color grading application) keeps these groupings easier to find and makes for a more organized comp.Designating specific tracks for specific items helps with the move and organization in After Effects. I generally use V1 for my storyline (interviews, primary narrative, etc.), V2 for all of my b-roll, V3 for all of my titles/graphics (unless I need to stack them for one reason or another), and V4 for any overlays (film flashes and light leaks, film grain, alpha matte transitions, etc.). This is all subject to change depending on the needs of my edit, but it’s a good template to stick to for me. When I move to After Effects, all of these things stay grouped together vertically.3. Use Dynamic Link, But Don’t Trust ItDynamic Link is a fantastic way to get from Premiere to After Effects. Unfortunately, it can cause problems if used too frequently, if it’s been too long since the project was open, if some source files move, if you sneeze too hard – you get the idea. I’ve heard of and seen Premiere project files and sequences get corrupted or glitched. In small uses it works, but frequent large uses can be risky.Another issue specific to the After Effects offline workflow is changes. When you use Dynamic Link, your timeline in Premiere is replaced with a linked comp. What if you need to make some editing changes? You could do them in After Effects (maybe), but it would be a total pain.My suggestion? Do one of two things:Duplicate your timeline before you send to After Effects so that you have an un-replaced version you can use for any necessary changes, which has the added bonus of leaving the linked comp in Premiere.You can send to After Effects and after it’s all done transferring you go back to Premiere and “undo” the send to AE. The linked comp is deleted, which prevents project corruption, but After Effects keeps the timeline you sent. All you do is output from AE instead of rendering in Premiere. This is my preferred option.4. Export an Audio MixdownAfter Effects is obviously not focused on audio, so working with sound in AE can be frustrating.. So, instead of sending a bunch of audio layers to After Effects (and we all know the crazy amount of audio tracks you can end up with), do your audio mixing in Premiere or a dedicated audio program, then export a WAV file mixdown and bring that into After Effects. That way you’ve only got one audio track that’s already been mastered to deal with in After Effects. You’ll also have all of the pieces you need to do your final export from After Effects, which is the point of the workflow to begin with!I hope these tips help save you some headache as you move to After Effects for all of your finishing needs!last_img read more

first_imgThe crisis within the ruling Naga People’s Front (NPF) government in Nagaland has further deepened with Chief Minister Shurhozelie Liezietsu sacking 10 of his parliamentary secretaries following a demand for his removal, an official said on July 9, 2017.The development comes as former Chief Minister T.R. Zeliang on July 8, 2017 wrote to Governor P.B. Acharya and staked claim to form a new government. He claimed he has the support of 33 NPF legislators and seven Independent legislators. In the wake of the demand for his removal, Mr. Liezietsu, who is also the NPF chief, terminated four NPF legislators and six Independent legislators, as parliamentary secretaries.The Nagaland government issued notifications terminating the appointment of Mr. Zeliang as Advisor (Finance) and Mr. Nuklotoshi as Advisor to Chief Minister.Apart from sacking the legislators, the NPF Disciplinary Action Committee which met on July 8, 2017 also suspended 10 legislators as primary and active members of the party.Those suspended include Home Minister Yanthungo Patton, Power Minister Kipili Sangtam, National Highway and Political Affairs Minister G. Kaito Aye, Forest and Environment Minister Imkong L. Imchen, besides, Shetoyi, Nuklutoshi, Deo Nukhu, Naiba Konyak, Benjongliba and Mr. Zeliang. Mr. Zeliang along with 41 legislators are camping at Borgos resort in Kaziranga National Park in Assam to discuss the transition of power. “All 41 of us are intact and we are waiting only for Governor Acharya to invite Zeliang to form the government,” Forest and Environment Minister Imkong L. Imchen told IANS.“We don’t care about (suspension from the party) it because those people who have signed the suspension order do not have the grassroots support,” Mr. Imchen said, while refusing to divulge further.Governor Acharya is in Maharashtra and he is expected to return to Nagaland in a few days.The fresh political instability has come at a time when Mr. Liezietsu is gearing up for the July 29 byelection from the Northern Angami-I assembly constituency. Mr. Liezietsu has however voiced confidence that the crisis within the NPF would be resolved at the earliest.Mr. Liezietsu was sworn in as Chief Minister on February 22, 2017 after Mr. Zeliang’s resignation following a violent protest by tribal groups who were opposed to his move to hold civic polls with 33% reservation for women.The Chief Minister said that he was deeply pained by the recent disturbing developments affecting the normal functioning of the government.“The current issue is within the NPF party and will be resolved at the earliest to bring about normalcy in the state. The mandate of the people will be respected and the present crisis will be resolved in the larger interest of the people of the state,” Mr. Liezietsu stated.Noting that the NPF-led government will complete its full term, the beleaguered Chief Minister appealed to the people of the state to remain calm.In his letter to the Governor, Mr. Zeliang said “The legislators also urged the present Chief Minister Shurhozelie Liezietsu, who is a non-legislator, to resign and pave way for me (Mr. Zeliang) to take over as the Chief Minister.”Claiming support of 34 (including himself) out of the 47 NPF legislators, he also told Mr. Acharya that seven Independent legislators have also affirmed their support in his favour.The legislators wanted him to continue as leader of NPF legislature party and also authorised him to stake claim to form a new NPF-led Democratic Alliance of Nagaland government.In the truncated 59-member Assembly, the ruling Democratic Alliance of Nagaland coalition government comprises 47 NPF legislators, four BJP and eight Independents. The NPF MLAs include the 10 suspended legislators.Interestingly, Mr. Zeliang has even warmed up to his once bitter rival Neiphiu Rio, a three-time Nagaland Chief Minister. Mr. Rio, the lone Lok Sabha member from Nagaland, was suspended a couple of years back for “anti-party activities”, particularly against Mr. Zeliang.last_img read more

first_imgAn earthquake measuring 4 on the Richter scale was reported from Purulia in West Bengal on Monday at about 2.55 a.m. The epicentre of the earthquake was 22 km below the surface of earth at a latitude 23.1 degrees north and longitude of 86.5 degrees east.There have been no reports of any damage.last_img

first_imgAPTN National News SARNIA, Ont.–A rail blockade launched by Aamjiwnaang First Nation members on a CN line in Sarnia, Ont., is expected to end Thursday at midnight.Ron Plain, the spokesman for the blockade, said the blockade was ended in a negotiated settlement with Sarnia police after an Ontario judge ordered it shut down.Plain called it “a huge community victory” and the first victory of the Idle No More movement.He said the blockade, which began Dec. 21, 2012, had proven its point and didn’t need to continue. Plain said they were already negotiating to have the blockade end on Saturday.The blockade was originally launched in support of hunger-striking Attawapiskat Chief Theresa Spence’s demand for a treaty meeting between Prime Minister Stephen Harper, Gov. Gen. David Johnston and First Nations leaders.Plain was found in contempt Wednesday of a court injunction ordering an end to the blockade. He was ordered by the court not to go near the site of the blockade unless it involved negotiating its end.The ending to the Aamjiwnaang blockade leaves only the Mi’kmaq from Listuguj First Nation still holding a rail blockade. The Mi’kmaq there have been blocking the railway at Pointe-a-la-Croix in Quebec since Dec. 28, 2012.More rail and highway blockades, however, are expected in the coming days and weeks.First Nations chiefs are planning to hold a national day of action on Jan. 16 which could see the beginning of indefinite blockades across the country.last_img read more

first_imgShaneen Robinson-Desjarlais APTN National NewsA group of mothers and grandmothers from the Long Plans First Nation in Southern Manitoba are upset with their local child and family services agency.There are 11,000 children in care in Manitoba.90 percent of them are First Nations children under the care of various agencies across the province.These mothers and grandmothers want their leadership to step in and help deal with an agency they say is ignoring them.srobinson@aptn.ca@shaneenthescenelast_img read more